This panel looks at innovative, trans-disciplinary, and trans-oceanic methods and theories working to center Pacific perspectives in the study of art and culture from Oceania. These approaches destabilize previously fragmented archives which are products of colonial and imperial legacies. Our framing of the archive is broadly understood as a collection of documents, images, records, including museum collections, literature, and artworks. However, we are interested in expanding the archive to include local perspectives. Furthermore, we pursue thinkers whose work defies accepted national and cartographic boundaries to take into account migratory and cross-cultural experiences across oceans/continents. Interdisciplinary readings of the archive open up spaces and bridge gaps between disciplines that combat inequality in the academy when it comes to studying/knowing Oceania. We are interested in presentations by graduate students and emerging thinkers who are using these gaps in creative ways. We are open to art historians, literary scholars, historians, anthropologists, artists, curators, performers who question dominant narratives and representational strategies that perpetuate how one comes to “know” Oceania.
Paper submissions are closed