In this panel we ask what we might gain from examining social change, distinction and value in Oceania through fashion as an analytical category. Fashion is a process of recurrent change. Perhaps more than any other social practice, being fashionable is an ephemeral state of being that is context-specific–acutely sensitive to temporal and spatial shifts. An outfit bought on holiday in the tropical Pacific rarely translates into fashion at home for example. Concurrently, Pacific design motifs clearly serve as inspiration for global fashion conglomerates, crossing contexts and fuelling particular desires. Fashion spans the physical production and design of garments and objects, as well as the desire to be ‘in fashion’ and the consumption of aesthetic objects that are considered popular. From the vantage point of an Oceanic perspective, fashion experiments with boundaries between local and capitalist economics, cultures and aesthetics and ultimately, designations of tradition and modern. In considering fashion as situated bodily practice, this panel focuses on economic, aesthetic and experiential dimensions of fashion, dress and bodily display. We invite papers across a range of topics that may include: the production and consumption of fashion, experimentations with material culture, design and design culture, the meanings and relationships that make objects desirable, the role clothing plays in identity construction, dress and social difference, the unfashionable, the social and historical life of fashion objects, cultural appropriation, fashion as resistance, fashion and morality, and the accrual of aesthetic value across a variety of markets.
Paper submissions are closed